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| Figrin D'an & The Modal Nodes |
Music has a magical quality that is completely unique; It
makes us feel. Some songs are happy, some are sad, but more complex emotions
like humor, anticipation and even danger are all easily conveyed if you know
how to do it. I’m sure you all know that a lot of music is written to illicit specific
emotions but it’s not only what you play, it’s how you play it.
What Message Do You
Want To Send?
The first thing you need to do is decide what kind song you
want to write. What emotions are you trying to convey? Let’s say you want to
write an uplifting song. You will probably want to use a major key with a
moderate to fast paced tempo and play it with confidence. There are a number of
ways to accomplish this. All You Need IsLove by The Beatles is a good example, or listen to Mozart’s Piano Concerto No. 17 Finale.
These songs incorporate major scales and chords for a
dramatic and positive emotional response form the listener. Notice that certain
chords are emphasized. For example, In All
You Need Is Love, The chorus is very strong, and the instrumentation is a
lot more intense. Also notice that the music walks down the major scale in a
very frantic way, slightly decreasing in intensity before the chorus crashes in
with big, confident strokes backed by a full orchestra in full force. Very dramatic
indeed.
On the other hand, if you want a more somber or reflective
tone, you will most likely use a minor key at a slower pace. This tends to have
a very emotional and pensive feeling. One of my favorite examples of this is Strange Weather by Tom Waits. It’s a simple
tune in a 3/4 time signature. Its drags along and is interlaced with Tom’s
signature gravely vocals, with a soulful sax and some clever use of horns, clarinets
and trombones to add to the melancholy atmosphere.
It’s All In The
Approach
The intensity, frequency, and loudness of your approach also
affect the song. For instance, a waltz works because the loudness of the first beat
accentuates the relative weakness of beats two and three. When this 1-2-3
pattern is repeated in this way, it gives the music that lilting quality that
gives the waltz its particular and danceable characteristic.
Not To Touch The Earth
by The Doors is a perfect example of the use of semitones (notes that are
directly next to one another) to achieve a frantic, anticipating or nervous feel.
By repeating the two semitones D and Eb with a frantic tempo, you get the sense
that something dangerous is coming. This is accentuated by Jim Morrison’s
mysterious lyrics in a terrific example of how the meaning of the song is
enhanced by the lyrics and the atmosphere provided by the music itself.
You will want to note that each instrument has its own timbre
or tone that gives it a unique quality. Oboes and baritone saxophones tend to
have a sad quality while flutes and ukulele’s tend to have a brighter and
happier timbre. When these instruments are used to support certain
characteristics of the music, it lends to the overall emotional impact of the
music as well.
Know When To Break
The Rules
Of course, these rules are not strict. A minor key can be
played at a quick tempo and be celebratory. I like to cite Figrin D’an and the
Modal Nodes, more commonly known as the Star Wars Cantina Band. The song form
the bar scene called Cantina Band is
in the key of Dm, but uses a ragtime feel and a fast tempo to give the feeling
of a celebration. It moves through the keys of C major and F major for the
lifts and give the piece complexity and a genuine levity that most everyone
enjoys.
Leonard Cohen, in turn, can make any song somber and
reflective. Hallelujah is in C major, but in the hands of Mr. Cohen, it’s
downright depressing for his low, smooth vocals over a slow tempo that meanders
through the major scale and gives it a very haunting feel.
All of this goes to show that clever use of keys, scales,
tempos and modes can greatly enhance your sound and the dynamics of your
musical performance and take you well beyond the 3 chord blues or punk rock
song. If you’re not doing it now, try experimenting a little with these
techniques. Pick your favorite song. Isolate the parts that excite you the
most, or have the most impact and pick it apart. What are they doing and how
are they attaining that effect? Chances are they are using some of these
techniques in their songwriting.
Break On Through
If you feel like you’re in a musical rut, try exploring some
of these musical concepts and see if you can create something new and exciting
that may re-energize your songwriting process. At the very least, these ideas
may help you to write a more compelling piece for your group and might even
influence your next album. If it does, make sure to thank me in your liner
notes!
Ref.
How Music Works
by John Powel

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