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| Chris Thayer Band; photo by Mike Ingram |
Like it or not, being a musician is also about being a
businessman. The real choice is you going to be a good businessman or a bad
businessman? Are you a charity? Either way, you offer a service in exchange for…what?
Money? Recognition? The chance to sell your music? Heck, some of you pay to
perform!
Respect Yourself
I’m not going to tell you what kind of business to run, but I
can tell you that how you run your band, be it as a solo artist, duo, or full
fledges 12 member orchestra, will impact you and your future as an artist. We
operate in one of the only business models that people will demand you offer
your services for free, all the time. Ask a lawyer to represent you for free
and see what response you get. My point is that if your performance is top
notch, you should not be doing it for free.You need to stand up for yourself as a musician and realize you have real value.
The Art Of Negotiation
Just think about all of the expenses you put into your craft…how
much return are you getting on your investment? If it’s not financially
rewarding, you need to ask yourself why. Have you negotiated the terms with the
proprietor of the joint you’re playing at? If not you should be otherwise your
need are not being considered.
The art of negotiation is essential when booking gigs.
Effective negotiation means that everybody walks away satisfied and everyone’s
needs are considered. Your financial concerns are addressed and the club owner’s
venue is filled with enough paying customers to make the deal worth his while. Enjoy
the process, and work with the other party, not against him, but don’t be
afraid to walk away from a gig if your needs are not being met. If you feel
like you've been taken advantage of, you have.
Require Adequate Compensation
As a performer myself, I don’t always get paid, but there
are still terms to negotiate. Do I get complementary items? Will I get good
exposure? These are important considerations. As a solo artist or a duo it’s
easier to be compensated; getting a choice spot at the downtown coffee shop on
a busy night can translate into a wider audience and even sales if you have
merch with you. Getting a bigger mailing list will give you a wider audience to
promote to and a chance to build loyal fans, which in turn will turn into
profits, if you do your job and follow up with them so sometimes there are benefits
for playing free as a new artists, as I've mentioned before.
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| Ancillary Theorem; Photo by mike Ingram |
As a band, now your needs are more complicated. You have 4
or 5 egos with desires and needs that need to be considered now. A good place
to start is by first taking stock of what the band requires as individuals and
how that will form the needs of the band. What are your ultimate goals with the
band?
Every decision you make form this point on needs to consider
that long term goal. If it is not furthering that goal, it is hindering it.
For instance, say the local dive bar wants you to play, for
free, no drinks. Is it going to help you advance your career? Is that he kind
of venue that values talent or are they trying to move drinks with your talent
and not compensate you for it? Moreover, are their enough patrons in that bar
to broaden the fan base you’re looking for or is that going to set up a
dangerous pattern of you playing endless shitty bars with no payoff? Don’t get
caught in that trap. These are places you need to avoid. Again, do not be
afraid to say no to a gig if there is nothing in it for you.
Maintain A Healthy Sense Of Self Worth
Again, I can’t tell you what you should value as a band or
as a solo artist, only that you need to value yourself enough to demand
compensation for your hard work and personal expenses. If you don’t, you will
establish yourself as a performer who works for free and can be used by venue
owners without reward. There are far too many of you that are far too
comfortable being in that position.
Have some respect for yourself, and have some respect for
fellow musicians because the more gigs you play for free, the more you hurt the
chances of the more serious performers who need to get paid. As a businessman,
or entrepreneur if you prefer, you need to decide how you are going to conduct
yourself professionally and how your conduct affects others in your profession
if you want to be taken seriously.


Hi Dan, maybe I'm a slight bit biased, but I believe it is also imperative to do some sort of advance promotion/publicity for each show a performer plays. Venues also like to know that the artists they book are promoting said shows in advance. It's a HUGE part of what i do, work-wise.
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